The painting personifies Ragini Kamodi, which represents the yearning of love. A female attendant is dying the soles of the lady’s feet with henna. She is reclining against a bolster with her arms raised displaying her bust. Her languorous mood, delicate and attractive body, smile on lips and eyes full of love make her look beautiful. Indian ladies use henna as a cosmetic for painting the palms of the hands and soles of the feet. Its cooling properties are much appreciated in the summers. The mood depicted in the painting is of unsatisfied longing of love.

About Miniature Paintings

Miniatures are intricate, colorful illuminations or paintings, small in size, executed meticulously with delicate brushwork. The history of Indian Miniature Paintings can be traced to the 6-7th century AD. Miniature Paintings have evolved over centuries carrying the influence of other cultures. The miniature artists gave self-expression on paper, ivory panels, wooden tablets, leather, marble, cloth and walls. Indian artists employed multiple perspectives unlike their European counterparts in their paintings. The idea was to convey reality that existed beyond specific vantage point.

The Kangra Miniatures of the Pahari School made a mark in the 18th century. Though influenced by the Mughals, the Kangra School retained its distinctiveness. The paintings were naturalistic and employed cool, fresh colors. The colors were extracted from minerals, vegetables and possessed enamel-like luster. Verdant greenery of the landscape, brooks, springs were the recurrent images on the miniatures. Texts of the Gita Govinda, Bhiari's Satsai, and the Baramasa of Keshavdas provided endless themes to the painters. Krishna and Radha as eternal lovers were portrayed rejoicing the moments of love. The Kangra miniatures are also noted for portraying the famine charm with a natural grace. The paintings based on Ragmalas (musical modes) also found patronage in Kangra.